Atelier

What I photograph

Completed buildings, interiors, and work in progress: three commissions, each with its duration and deliverables. The quote depends on the place, the number of views, and how the images will be used.

Buildings and facades
Architects, developers, project owners
Duration
Half or full day
Light
Set by the orientation
Deliverables
Retouched HD images
The building in its setting, its facades at the hours when light draws them, and the details that make its signature.
Custom quotedepending on the place and image use
Request this shoot
Interiors and spaces
Interior architects, designers, hospitality venues
Duration
Half day
Preparation
Rooms set up with you
Deliverables
Wide views and details
Volumes, materials, and circulation: wide views to read the space, close shots to feel the materials.
Custom quotedepending on the place and image use
Request this shoot
Construction follow-up
Contractors, project owners, public bodies
Rhythm
One visit per stage
Method
Fixed viewpoints
Deliverables
Dated series per visit
One visit at each key stage, always from the same viewpoints, to keep a record of the site through to completion.
Custom quotedepending on the place and image use
Request this shoot

Series

Personal work, presented as a sequence of prints: each series follows a single idea — the curve, the line, the shadow, the blue hour.

Sculptural facade with flowing curves, black and white — Series 01 — Curves
A sculptural facade read as a wave.

Modernist balconies with clean lines, black and white — Series 02 — Lines
Repeated balconies become a score.

Concrete steps striped with shadow and light, black and white. — Series 03 — Shadows
Low light draws the steps.

Glass facade at dusk with a streak of light, black and white — Series 04 — Blue hour
A glass facade as the city lights up.

Black and white strips away color to keep only what matters: light, line, and material.

The stance

Camera tripod silhouetted on a rooftop facing unfinished buildings, black and white.

The studio

I photograph buildings like portraits: at the right hour, verticals corrected, without effects. Every commission starts with a scouting visit and every delivered image is retouched one by one. I travel with the equipment needed, from tripod to tilt-shift lens.

See all series

A commission in four stages

From the first conversation to delivery, you always know what comes next.

Scouting

Plans, orientation, and hours of light: the list of views is agreed with you.

Shooting

At the chosen slot, on a tripod, with straight verticals and careful framing.

Retouching

Selection, straightening, cleanup of distracting details, and black-and-white conversion.

Delivery

A download link and a written license stating the permitted uses.

Who I work with

The same images do not serve the same needs: choose your situation.

Architects

Competition entries, publications, website, and office archive: views true to the project, framed with you.

Frequently asked questions

Travel, weather, color, and usage rights: the essentials before requesting a quote.

Before the session

Do you travel outside your city?

Yes. Travel and, if needed, accommodation are listed separately in the quote.

What if it rains on the day?

For exteriors, the session moves to the next suitable slot; we decide together the day before.

The images

Do you also deliver color images?

The main direction remains black and white. A color selection can be included in the quote.

What image rights are included?

The license sets out uses, media, duration, and territory. It comes with every delivery.

A building to photograph?

Share the place, the preferred date, and how the images will be used. You receive a proposed slot and a detailed quote.